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The word of the past replaces the world of the past

The word of the past replaces the world of the past

As it were, the word of the past replaces the world of the past. Since, for the new historicist, the events and attitudes of the past now exist solely as writing, it makes sense to subject that writing to the kind of close analysis formerly reserved for literary texts.

Incorporated into this preference for the textual record of the past is the influence of deconstruction. New historicism accepts Derrida's view that there is nothing outside the text, in the special sense that everything about the past is only available to us in textualised form: it is 'thrice-processed', first through the ideology, or discursive practices of its own time, then through those of ours, and finally through the distorting web of language itself. Whatever is represented in a text is thereby remade.

New historicist essays always themselves constitute another remaking, another permutation of the past, as the play or poem under discussion is juxtaposed with a chosen document, so that a new entity is formed. In this sense the objection that the documents selected may not really be 'relevant' to the play is disarmed, for the aim is not to represent the past as it really was, but to present a new reality by re-situating it.